“No hope of happy endings,” she said with a forced laugh. “Couldn’t marry him I suppose?” “But why leave it to his son,” argued Joan. “Why couldn’t the old man have set about it himself, instead of wasting thirty precious years?”!

Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins. There was a little humorous smile about his mouth. But his eyes were serious and pleading.

Her father had wished her to go. Arthur’s death had stirred in him the old Puritan blood with its record of long battle for liberty of conscience. If war claimed to be master of a man’s soul, then the new warfare must be against war. He remembered the saying of a Frenchwoman who had been through the Franco-Prussian war. Joan, on her return from Paris some years before, had told him of her, repeating her words: “But, of course, it would not do to tell the truth,” the old lady had said, “or we should have our children growing up to hate war.” The lonely woman touched her lightly on the hand. There shot a pleading look from the old stern eyes. He sketched out their plans to her. It seemed to be all going in at one ear and out at the other. What was the matter with her? Perhaps she was tired without knowing it. She would get him to tell her all about it to-morrow. Also, to-morrow, she would tell him about Phillips, and ask his advice. It was really quite late. If he talked any more now, it would give her a headache. She felt it coming on.